Restaurant El Coq | Vicenza 2017
Pasta-Chef
The exciting first view when stepping out of the elevator into the dining room, nodging the guests toward an experience inbetween traditional and progressive italian cuisine. (Foto: Lorenzo Cogo)
To be loved and and to be fed are initially the same thing.
Only later can we differentiate it.
And the notion of ‘later’ can be stretched indeed … just like pasta dough, speaking of which..
Where it all started: I wouldn’t call it an obsession with pasta but hell, I grew up with Spätzle ...
Plus maybe the following: In 2016 I’ve decided that the forthcoming year should allow for the exploration of my so far, underdeveloped skills.
While I’m naturally drawn to conceptualization and abstract thinking, my ability to experience the world more closely, more immersively — essentially more instinctively — and derive knowledge from said situation through ‘doing’ rather than ‘thinking’, was as at most — rudimentary.
And while being on my culinary journey in 2016/17, there was definitely one thing within this cosmos that I thought to be my
ultimate Endgegner:
Pasta Fresca.
Over and over again, mostly as a student, I tried to understand and ameliorate my pasta skills by submerging into its theory rather than hands-on experiments.
Shouldn’t short-cut the pasta-making though. Pasta isn’t exactly accessible through ‘know-what’.
Not only do the limits of prior theoretical / booked-learned knowledge show themselves very quickly, they also miss the point entirely.
It rains outside during pasta making, you better adjust. The room warms up throughout the day, you gotta adjust. Even worse, your hands become warmer than usually? You better have some ice cold water nearby..
Oh you wanna swap in some different type of flour or even jump into another ‘category’ such as semolina? You better have time to redo it 20 times, in order to truly understand its impact post-cooking.
This doesn’t even take into consideration the endless possibilities of whole egg / yolk or water ratios and not even to mention the potent influence of adequate resting periods and little tricks like vacuum-packing the fresh dough. And we haven’t even adressed the myrad types of flours, and I don’t even mean the grinding sizes, but it’s compositions, resulting in various liquid absorbtion rates, textures, gluten development etc. Take a look at Petra, the praised flour company we’ve been working with and which I still buy flour from where ever I live. They nicely unscatter and point out the characteristics of each flour type they offer.
Rose hip Tortellini in mustard buttermilk with lemon zest and of course Parmigiano..(Foto: Lorenzo Cogo)
Now, this was just the preparation of the dough.
Then you gotta develop that ‘feeling’ when to stop kneading the dough; plus kneading techniques aren’t that straightforward either. The learning curve, regarding the command of the pasta-machine including another set of folding techniques and at last, manual dexterity aka Fingerspitzengefühl! is quite steep and took me a few weeks just to become acceptably consistent.
Apart from learning to shape sublimely looking pasta, to an Italian, their aesthetic value always comes second; behind their function.
How much sauce should the pasta hold? What’s the ratio of pasta to filling? What kind of shape favors which kind of sauce? Does it cook evenly and how can you ensure that the pasta cooks aldente as a whole and not only some minor thicker or thinner parts?
The buzzing terrace belongs to Lorenzo Cogo’s Bistro ‘Garibaldi’. Above the windows of fine dining restaurant ‘El Coq’. (Foto: The Fork)
Part of my pasta creations such as canneloni, fettuccini, pappardelle, lasagna sheets and filled ravioli went to the bistro, while hazelnut ricotta gnocci, taleggio filled bottoni, and spaghetti went to the fine-dining restaurant.
La gatta frettolosa ha fatto i gattini ciechi
You see, by trying to find the correct and adequate words to tie all these thoughts together, I run somewhat counterwise against the spirit of pasta-making. It seems to be an art-form, if properly addressed, similar to that of sushi. It is not just technique, or quality of produce, or simply learning and building muscle-memory across time, it’s all of them plus for the lack of a better word: living for and through it.
It sounds simple but hell, of course nothing simple is easy.
In fact, it’s the greatest art to be simple.
Ma magari!
And dare I say, ‘only’ living in Italy will reveal the depth of this simplicity: being enraptured by this pasta culture which orients itself or differently put: mirrors back itself deeply over the course of time through changes in architecture, regional competitions, music, cultural conquests, religious conflicts, political disagreements, and of course the lovely Chinese - where it all started.
All hail to the remaining Italian Nonnas, safeguarding this immensely rich heritage especially as most young Italians (possibly rightfully) storm the universities or go abroad.
So who’s gonna take that over? Maybe the Germans? Ahh well, we’ve tried that one before, maybe we should leave the Spätzle be Spätzle this time.
Lorenzo Cogo: “When I opened 'El Coq' [...] I decided to define my cuisine as “Instinctive Cuisine”, an expression with no specific parameters, that changes following instinct. I am never content, what I feel from my cuisine is its constant state of evolution, but I believe that it is also interesting for the customers that won’t get bored and can try always unexpected proposals. My dishes are not designed to transmit a sense of security, they develop as part of a tasting journey that may deliver a gustatory slap at first, and then it caresses the palate with more balanced aromas”.
My humble beginnings with 'Bottone' filled with stinky Taleggio.
Vis-à-vis Palladio's magnum opus: the Basilica Palladiana.
It would be surprising to me, if there was no correlation between the semblance and beauty of Vicenza's architecture and the city's inhabitants graceful aging. It seems to me that the Vicentini have lived and have wanted to live-on longer beyond their finitude. And so they built and decorated their homes for centuries, and not just for the passing hour. Endless walks give rise to the discovery of richly detailed façades and history-laden inner courtyards. Enduring spirits they are, surely more difficult to find in our northern climates of earnestness and isolation.
One or maybe THE major responsibility was to make sure we won't run out of pasta for staff food.
Gnocci made with parts Ricotta and Hazelnut-mash. Incredible texture. Exciting balance between tradition and modernity.
Mature ibérico bellota jamon, sea urchin mayo, bottarga, citrus cest and paper-thin porcini. A sensational flavor combination and unexpected harmony.
That statue on the right was the perfect height for my weekly handstand-pushups. Enshrined in old roman(?): BELLI SECVR QVIESCO. I can only guess, but it probably meant "don't chicken out after four reps yet, Maximus" or something like "War secures repose"... either way, same same.
The view along the gallery on our way for the Aperitivo. A sacred and unshakable tradition in Italy.
'Spaghetti Aglio e Olio' with a surprising Asian kick including finest fish sauce, soy, spiced coconut sugo and aromatic coriander, inspired by Lorenzo's time in Japan (inter alia at RyuGin in Tokyo).
During his trip to Italy in 1786, Goethe visited Palladio's Villa 'La Rotonda' just outside Vicenza and admired it as it "wholly reflects the in harmony-educated man". Btw 'wholly' doesnt capture Goethe's witty use of 'allseitig' which would literally mean 'on all sides' as the Vila's layout is perfectly square. (Foto: Marco Bagarella)
Red Beet, Red Mullet Ravioli.
Spiced Arborio Risotto made from a stock encompassing lemon grass, curry leaves, lime juice and zest, earl grey tea, sechuan pepper, thyme, ginger.
Simply imagining the aroma makes your mouth water! Yet the risotto's cooking process was as traditional as it can get. Beautiful balancing act.
Can't get enough of Palladio... The view from Garibaldi's terrace onto the Basilica Palladiana. No doubt his architecture was influenced by Southern Light!
Filled Walnut amuse-bouche - only accessible through sheer force..
Teatro Olimpico, designed by Palladio, and inaugurated in 1585 through Sophocles' Oedipus Rex, is the world's oldest roofed theater. Palladio died before the constructions finished. His prudence and foresightedness of the Zeitgeist deeply impressed me when I was roaming through the alleys. (Foto: Musei Civici Vicenza)
in 2020 Chef-owner Lorenzo cogo
has decided to rejuvinate his restaurant.
With the help of Italian designer Matteo Cibic, the restaurant has been transformed into an exciting science fiction fantasy: the birth of El Coq 2.0

Fotos: Lorenzo Cogo / Rodolfo Hernandez

